I was debugging a texture settings bug when I got this cool looking result:
It's a milestone. I'm working on my final rendering feature! With gamma correct Ambient/Diffuse/Specular throughout the world, hardware particles for effects (got those working a couple weeks ago) and some lovely shadows, I have but one big rendering issue left to address: Terrain 2.0.
My current terrain is a 300x300km USGS heightmap with 10m between samples and wang-tiled splatted textures, and it makes for beautiful rolling hills. But that isn't super-interesting as a play-space.
I took a couple days for hard thinking -- the hard thinking primarily due to the one big requirement I refuse to give up: a 300x300km terrain. It is amazing how many features go from simple to unwieldy when you scale them up.
Despite the hype, there's no doubt that Windows 8 Metro is just a regular Windows Desktop application. I was playing around the Windows 8 Consumer Preview and I tried Aurora Suite 2005, which is an accessibility program for Windows, when this happened:
Made me laugh seeing a standard Windows Desktop app running on top of Metro. I can click on the icons, and bring up the Aurora Suite menus, but as soon as I open a dialog, it switches back to the desktop. Aurora Suite uses Windows' HWND_TOPMOST
I've known for a while that my graphics renderer wasn't gamma correct. Up until a couple years ago, this wasn't an issue, then somebody noticed that we've all been doing lighting calculations wrong for the last 20 years. You've probably heard of gamma. In effect it is a brightness adjustment. Without gamma correctness everything renders a little too dark.
Textures typically are in a color space called sRGB with a gamma of 2.2, lighting is done in linear space (gamma of 1.0) and the screen most likely has a gamma of 2.2. The idea with gamma correctness is to make sure that the input textures and colors are converted to linear space before they are processed with the lighting in the shader, and that the result is converted back to gamma 2.2 when it is sent to the display.
Thursday evening I discovered this excellent OpenGL tutorial
which explains most of what is needed to implement this in OpenGL. There were some details missing, so I'll fill those in here.
The software particle system is running. Here's a screenshot of the oil fire effect I've been using to debug the particle system. It looks quite good when it is moving although there are still a few things I want to add to it. Particles at the bottom go from yellow to red to gray so if you cover the bottom quarter inch so you can't see the particles appearing (which will be done in the game,) it looks like a pretty convincing fire. It was fun finding reference video on the internet. Looked at a lot of oil well fires.
I can't believe how many adjustments are needed to make a particle effect. I would get one thing looking good, then something else would look bad. First there was popping when particles hit the end of life, so I added a fadeout. Then it didn't look very realistic with just one particle texture, so I added animation. Then there was visual popping as the particle textures transitioned between animation frames so I added fading between animation frames. Then I noticed that particle creation was sort of "clumpy" where there would be a lot of particles created and then a pause, which made the bottom of the fire look like fireworks, so I had to distribute that more evenly. And on and on.
Soft particles are working, I implemented a simple depth check linear fade, not the fancier function from the NVidia paper, but they don't come into play in this screenshot.
Shadows are working, however it looks odd when particles disappear since there's no alpha in shadow mapping so where a particle fades out, it simply pops out in the shadow. I should be able to mitigate that with higher numbers of smaller particles so the popping isn't as obvious.
I haven't done any lighting on the particles yet but I'm going to tackle the hardware accelerated version of this next.
Today there was a bug. A bad one. I was trying to use a 4-byte RGBA color value as a vertex attribute to tint the particles in my new particle system. It worked if I set the value manually, I tried a bunch of different colors: red, green, blue, black, white. Those colors worked perfectly. The real color values were supposed to lerp from one keyframe to the next. That totally did not work. If I didn't set the color, the particles were magenta, or sometimes cyan. I checked the lerp calculation, that was good. I checked the conversion from 64-bit color to 32-bit, that had a bug so I fixed that. I looked at the vertex and pixel shaders. They were super-simple so nothing there to be messed up. I checked the color data in the game versus the data in the VBO on the video card with GDebugger and Windows Calculator. The data was identical. I was at a loss.
Really interesting talk on the graphics in Battlefield 3 by Johan Andersson, the Rendering Architect at DICE. Parts 2, 3, 4 have the most "meat". There are sections on lighting, post processing, terrain, particle effects and more. For those not entirely into rendering, he breaks down all the passes that go into a single frame in part 4 (there are a lot.)
Parts: 1 2 3 4 5
To get things ready to add the new particle system, I've been adding support for additional fields in my vertices. Previously all my vertices were the same Position/Normal/UV format. I've also been removing the use of deprecated functionality when I have the opportunity.
As part of the vertex upgrade, I wanted to replace my existing calls to the deprecated glVertexPointer/glNormalPointer/glTexCoordPointer functions with the more up-to-date glVertexAttribPointer. While reading about glVertexAttribPointer, I discovered Vertex Array Objects (VAO's.) A VAO combines all the calls you would normally have to do to set up your vertices, VBO's and IBO's into one call. I read about VAO's in the OpenGL SuperBible, but there is some hand-wavey stuff in their code that worried me. Looking into it more, I discovered glGetAttribLocation.
Vertex attributes (position, normal, colors etc) are passed to the shader via an array of integers. You can specify the integers yourself which is what the OpenGL SuperBible does - YUK! Or you can just declare your vertex attributes in the shader code and use glGetAttribLocation to find out where the shader compiler put them for you. Much nicer.
Getting the rendering to actually work however, was a huge pain. I spent a lot of time staring at a black screen in GLDebugger. There is a lot of misinformation on VAO's and I couldn't find a single example of how to use glGetAttribLocation like I wanted. So to save anyone else the pain, here's how it goes.
I've been following the launch of Guild Wars 2 with some interest. I've played the original Guild Wars quite a bit, and have been seriously considering picking up Guild Wars 2. But not anymore. At least until they work the bugs out.
When I read the reddit thread
where people could ask ArenaNet Customer Service the reason they got an account suspension, that was pretty funny - even though the language is pretty colourful.
But today ArenaNet went too far. An in-game vendor was offering one particularly good item for significantly below market value. Apparently a mistake on ArenaNet's part, (given that everything that vendor was selling cost exactly 21 Karma.) Some players bought this item from the in-game merchant. The result, from reddit.com
:We permanently banned 3,000 accounts of players who substantially exploited it, and applied 72-hours bans to another 1,000 accounts of players who mildly exploited it.
People bought items from an in-game vendor and got a permanent ban from their brand new $60 game for it? I'm sorry ArenaNet, that's just wrong. I don't care how many times they did it.
If it was going to mess up the economy, then roll it back, but you can't call buying something from a vendor an Exploit
and punish people for it. Take some responsibility for your mistake.
I suspect someone at ArenaNet realized that they'd made a public relations gaffe banning all those players, because they have relented. They're still not taking any responsibility, but if banned players go through customer service and beg for their account back and then delete anything they got from the vendor, then ArenaNet will let them keep their account. You can read the announcement here
I've been integrating Variance Shadow Mapping shadows into my full game engine. As expected, that took longer than expected. I have the feeling that I'm going to be tweaking the shadows until the game comes out. There are a lot of adjustments. Shadows are not an exact science by any means.
My first question was "where do I put the sun?" I looked at a bunch of screenshots of other games. It turns out, most games put the sun in the same place - where the shadows are most visible. So behind and to one side of the shadowcasters.
Once the sun was to one side of the camera, I found an issue - looking at the shadow map in GDebugger, the entire visible portion of the scene was rendering at one end of the shadow map with "up" towards the center of the texture - wasting about 3/4 of my shadow map memory. There was however, a surpisingly simple solution!
When I say iconography I think I'd include art styles like FTL and other reusable component based artwork. i.e. I really mean non realistic representative artwork. I think people forgive less advanced art design (and some cases love it with the ...
Thanks for the suggestions, but even iconography would only get me so far given that units are made of 6 different components and each of those components can vary in power and effects. One day I will have an art team!
Players killing less-useful units is what I would expect, and since when you dispose of a unit you only get a fraction of its original cost back, that also works as a money sink.
The plan is that players will want to use more exotic units as they ...
This might be a little radical for this stage of the project, but have you considered having iconography for units instead of actual models?
It might detract somewhat from the atmosphere. However if you don't have the time/skills to create a lot of ...
The oversupply of money problem is why WoW has money sinks for various cosmetic and non-essential (but useful) items. The alternative of course is separate currencies (i.e. "food" limits) that perhaps money can influence but only to a certain degree ...